The Exorcism Box Office Collection has emerged as a new phenomenon in the movie industry and has set itself as a new trend. How was a film about demon possession capable of capturing the world’s attention and bringing in such ridiculous amounts of data?
Here in this article, it will be our privilege to take a closer look at the early and later stages of The Exorcism at the box office, trying to explain the reasons for its huge success. If you are a fan of the horror genre, work in the film industry, or just appreciate the tricks of cinema this analysis will be a thrilling one.
Join us as we demystify the numerology of the numbers and the stories that fueled this movie’s success.
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The Exorcism Box Office Collection Day 3 Update
The Exorcism the 2024 film seems to have had an underwhelming box office performance. While specific figures might be hard to find due to its potential limited release, reports suggest it did not achieve blockbuster status.
Early reports indicate the film opened with a lackluster $2.4 million, placing it at number seven on the domestic charts. This paled in comparison to movies already in their later weeks.
Box office collection on the first day of its release through The Exorcism movie was pegged at 0. 16 crores whereas the second-day gross earning witnessed a figure of 0. 17 crores and on the third day, the box office collection of the movie recorded was 0. 12 crores.
Thus, based on the details available, “The Exorcism” (2024) failed to set the cash registers ringing.
| Day | India Net Collection |
|---|---|
| Day 1 [1st Friday] | ₹ 0.16 Cr |
| Day 2 [1st Saturday] | ₹ 0.17 Cr |
| Day 3 [1st Sunday] | ₹ 0.12 Cr * early estimates |
| Total | ₹ 0.45 Cr |
The greatest trick the devil ever pulled was getting Russell Crowe to star in two somehow unrelated exorcism movies in a two-year span pic.twitter.com/PXUX6YqjDb
— Isaac Feldberg (@isaacfeldberg) April 25, 2024
About Of The Exorcism
The Exorcism takes a meta approach to the horror genre. Anthony Miller, a somewhat tarnished star with a tendency of substance dependency is offered the role of a priest in a new horror movie called The Georgetown Project which is within a frame of the plot.
Starring in the film, Anthony starts to act erratically more and more to the point one can tell whether or not this is part of his job.
His daughter Lee Simpkins, who he does not have a good relationship with, thinks it is the same and that Anthony is just going back to his old ways.
As strange occurrences plague the set and Anthony’s mental state deteriorates, the question arises: Is Anthony really afflicted with demonic possession, or is he merely having a paranoid schizophrenic episode brought on by previous abuse and received performance pressure?
Lee tries to find out more about the inception of the film and the script and learns terrible things.
The themes of the boundaries between reality and fantasy pervade the movie to challenge whether Anthony is fighting against demons or himself.
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